For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In Renaissance Magic and the Return of the Golden Age John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted.
Here at last is a dramatization of Hansel and Gretel which English -speaking audiences (children or adults) can love, yet which retains the true German flavor of the original Grimms fairy tale. A strong ethnic flavor can be given to your production by using the German folk songs and dances suggested in the script. The Director's Production Script gives simple scores of all music needed plus full details on how to do the folk dances - and even a lesson in how to speak with a German dialect. However the music and dialect can be omitted. Adults or children can play the title roles, making the play ideal for community, university, high school, or elementary theatre. This two-act dramatization of the delightful Grimms fairy tale - premiered by Fort Worth's Casa Manana Theatre in February 1969 - may be presented as a musical, with songs and provisions for dances written into the plot. Or it may be presented as a straight play without music. The plot resolves around the twelve beautiful but highly independent daughters of the king. They mysteriously wear out their shoes every night. Where do they go? What do they do? How do they get out of the castle? Nobody knows - and the king is willing to pay dearly to find out. In fact, the man who discovers the secret will receive not only a kingdom to rule, but his choice of the princesses in marriage. Many adventurers have tried to win the reward, only to end up on the Horrible Headsman's chopping block. Then along comes Brand, a young soldier who is supremely confident of his ability to solve any problem - but even he discovers that he urgently needs help. And it comes from the most delightful Fairy Godmother ever to cross a stage. -- from back cover.
Ritual Magic, by Donald Tyson, provides a historical, theoretical, and practical introduction to the astonishing world of magic--not mere myth and delusion nor tricks and illusion, but real magic. In Ritual Magic you will learn what is possible with magic. Can magic bring rains from a clear sky? Can it calm stormy seas? Can real magic change the outcome of great battles? Can you use magic to improve your life? The answers to these and many other questions will be found in Ritual Magic. ·Explore the roots of magic ? its complete history ·Get answers to questions frequently asked by those approaching magic for the first time ·Discover how magic works ·Learn the similarities and differences among different magical paths, including Golden Dawn, Shamanism, Wicca, Thelema, Druidism, and more ·Receive complete instructions for rituals to awaken magical awareness and to accomplish a willed purpose ·Deepen your knowledge of ritual magic, with suggested programs of study and reading material ·Learn how and why magic can become an important part of your life Whatever you own particular occult interest, Ritual Magic will help you learn what it is about, where it comes from, and how to do it correctly. By using this book as a road map of Western occultism, you will discover the truth about magic and use it to improve your life.
This volume contains a series of provocative essays that explore expressions of magic and ritual power in the ancient world. The strength of the present volume lies in the breadth of scholarly approaches represented. The book begins with several papyrological studies presenting important new texts in Greek and Coptic, continuing with essays focussing on taxonomy and definition. The concluding essays apply contemporary theories to analyses of specific test cases in a broad variety of ancient Mediterranean cultures. Paul Mirecki, Th.D. (1986) in Religious Studies, Harvard Divinity School, is Associate Professor of Religious Studies at the University of Kansas. Marvin Meyer, Ph.D. (1979) in Religion, Claremont Graduate School, is Professor of Religion at Chapman University, Orange, California, and Director of the Coptic Magical Texts Project of the Institute for Antiquity and Christianity.
On magical realism in literature
This thought-provoking collection of magical texts from ancient Egypt shows the exotic rituals, esoteric healing practices, and incantatory and supernatural dimensions that flowered in early Christianity. These remarkable Christian magical texts include curses, spells of protection from "headless powers" and evil spirits, spells invoking thunderous powers, descriptions of fire baptism, and even recipes from a magical "cookbook." Virtually all the texts are by Coptic Christians, and they date from about the 1st-12th centuries of the common era, with the majority from late antiquity. By placing these rarely seen texts in historical context and discussing their significance, the authors explore the place of healing, prayer, miracles, and magic in the early Christian experience, and expand our understanding of Christianity and Gnosticism as a vital folk religion.
This collection of twelve articles presents a selection of papers delivered in the course of a seminar 1994-95 and its concluding international symposium at the Institute for Advanced Study in Princeton. The common theme is the interrelation between magic and religion, focussing particularly on the Mediterranean world in Antiquity - Egyptian, Graeco-Roman and Jewish beliefs and customs - but also treating the early modern period in Northern Europe (the Netherlands and Germany) as well as offering more general reflections on elements of magic in language and Jewish mysticism. The volume is characterized by an interdisciplinary approach and the use of varied methodologies, emphasizing the dynamic nature of the often contradictory forces shaping religious beliefs and practices, while dismissing the idea of a linear development from magic to religion or vice versa. The contributors are outstanding scholars in their fields: Ancient, Medieval and Modern History, Religious Studies, Jewish Studies, Classical Studies, Early Christianity, Islamic Studies, Anthropology, Egyptology and Comparative Literature. Without a doubt this re-evaluation of a fascinating age-old subject will stimulate scholarly discussion and appeal to educated non-specialist readers as well.