'As though walking through a deep dream, I saw steel helmets approaching through the craters. They seemed to sprout from the fire-harrowed soil like some iron harvest ...' Storm of Steel is one of the greatest works to emerge from the catastrophe of the First World War. A memoir of astonishing power, savagery and ashen lyricism, it illuminates like no other book the horrors but also the fascination of total war, presenting the conflict through the eyes of an ordinary German soldier. As an account of the terrors of the Western Front and of the sickening allure that made men keep fighting on for four long years, Storm of Steel has no equal.
Originally published in 1920, The Storm of Steel is a first-hand account of World War I trench combat lifted from the diaries of Ernst Jünger, a German infantryman who would become one of Europe's most talented writers. The book was first translated into English in 1929 by Basil Creighton, the acclaimed translator of many other classic works of German literature, and was widely hailed as a masterpiece. The Storm of Steel remains the definitive account of World War I, following Jünger through several major engagements as he develops from an eager young soldier into a battle-hardened officer. Subsequent revisions by the author removed many of the original editions' vivid descriptions of battle, along with his reflections on leadership, patriotism, and the nature of heroism, while later translations failed to compare to the original's compelling and readable prose. The original translation eventually fell out-of-print, and is now being made available for the first time in decades to allow a new generation of readers to experience the classic that introduced millions to one of Europe's greatest voices.
In this fascinating account of the battle tanks that saw combat in the European Theater of World War II, Mary R. Habeck traces the strategies developed between the wars for the use of armored vehicles in battle. Only in Germany and the Soviet Union were truly original armor doctrines (generally known as "blitzkreig" and "deep battle") fully implemented. Storm of Steel relates how the German and Soviet armies formulated and chose to put into practice doctrines that were innovative for the time, yet in many respects identical to one another. As part of her extensive archival research in Russia, Germany, and Britain, Habeck had access to a large number of formerly secret and top-secret documents from several post-Soviet archives. This research informs her comparative approach as she looks at the roles of technology, shared influences, and assumptions about war in the formation of doctrine. She also explores relations between the Germans and the Soviets to determine whether collaboration influenced the convergence of their armor doctrines.
Junger's great book matter-of-factly conveys the mysterious glamour of war, the exhilaration of its excess and intensity and, not least, the undeniable glory of men bravely preparing for battle as for "some terrible silent ceremonial that portends human sacrifice."
AD 643. Anglo-Saxon Britain. A gripping, action-packed historical thriller and the sixth instalment in the Bernicia Chronicles. Perfect for fans of Bernard Cornwell. Heading south to lands he once considered his home, Beobrand is plunged into a dark world of piracy and slavery when an old friend enlists his help to recover a kidnapped girl. Embarking onto the wind-tossed seas, Beobrand pursues his quarry with single-minded tenacity. But the Whale Road is never calm and his journey is beset with storms, betrayal and violence. As the winds of his wyrd blow him ever further from what he knows, will Beobrand find victory on his quest or has his luck finally abandoned him?
Ernst Jünger was one of twentieth-century Germany’s most important—and most controversial—writers. Decorated for bravery in World War I and the author of the acclaimed western front memoir Storm of Steel, he frankly depicted war’s horrors even as he extolled its glories. As a Wehrmacht captain during World War II, Jünger faithfully kept a journal in occupied Paris and continued to write on the eastern front and in Germany until its defeat—writings that are of major historical and literary significance. Jünger’s Paris journals document his Francophile excitement, romantic affairs, and fascination with botany and entomology, alongside mystical and religious ruminations and trenchant observations on the occupation and the politics of collaboration. While working as a mail censor, he led the privileged life of an officer, encountering artists such as Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict the chaos after Stalingrad and atrocities on the eastern front. Upon returning to Paris, Jünger observed the French resistance and was close to the German military conspirators who plotted to assassinate Hitler in 1944. After fleeing France, he reunited with his family as Germany’s capitulation approached. Both participant and commentator, close to the horrors of history but often distancing himself from them, Jünger turned his life and experiences into a work of art. These wartime journals appear here in English for the first time, giving fresh insights into the quandaries of the twentieth century from the keen pen of a paradoxical observer.
"In this book I have written about some aspects of the war which, I believe, the world must know and remember, not only as a memorial of men's courage in tragic years, but as a warning of what will happen again-surely-if a heritage of evil and of folly is not cut out of the hearts of peoples. Here it is the reality of modern warfare not only as it appears to British soldiers, of whom I can tell, but to soldiers on all the fronts where conditions were the same." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
AD 643. Anglo-Saxon Britain. A gripping, action-packed historical thriller and the sixth instalment in the Bernicia Chronicles. Heading south to lands he once considered his home, Beobrand is plunged into a dark world of piracy and slavery when an old friend enlists his help to recover a kidnapped girl. Embarking onto the wind-tossed seas, Beobrand pursues his quarry with single-minded tenacity. But the Whale Road is never calm and his journey is beset with storms, betrayal and violence. As the winds of his wyrd blow him ever further from what he knows, will Beobrand find victory on his quest or has his luck finally abandoned him?
Günter Koschorrek wrote his illicit diary on any scraps of paper he could lay his hands on, storing them with his mother on infrequent trips home on leave. The diary went missing, and it was not until he was reunited with his daughter in America some forty years later that it came to light and became Blood Red Snow. The authors excitement at the first encounter with the enemy in the Russian Steppe is obvious. Later, the horror and confusion of fighting in the streets of Stalingrad are brought to life by his descriptions of the others in his unit their differing manners and techniques for dealing with the squalor and death. He is also posted to Romania and Italy, assignments he remembers fondly compared to his time on the Eastern Front. This book stands as a memorial to the huge numbers on both sides who did not survive and is, some six decades later, the fulfilment of a responsibility the author feels to honour the memory of those who perished.