A group of friends reunite after one of them has returned from a mysterious two-year disappearance in this edgy and haunting debut. Julie is missing, and no one believes she will ever return—except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her. Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong—she’s emaciated, with sallow skin and odd appetites. And as the weekend unfurls, it becomes impossible to deny that the Julie who vanished two years ago is not the same Julie who came back. But then who—or what—is she?
Foster's concise analysis of art practices over the past three decades traces important models at work in art and theory, with special attention to the controversial connections between the two during this period. The author includes a new narrative of the historical avant-garde and concludes with an original reading of our contemporary situation--and what it portends for future practices of art, theory, culture, and politics. 90 illustrations.
WINNER OF THE 2017 PULITZER PRIZE: from Man Booker Prize and National Book Critics Circle Award finalist Hisham Matar, a memoir of his journey home to his native Libya in search of answers to his father's disappearance. In 2012, after the overthrow of Qaddafi, the acclaimed novelist Hisham Matar journeys to his native Libya after an absence of thirty years. When he was twelve, Matar and his family went into political exile. Eight years later Matar's father, a former diplomat and military man turned brave political dissident, was kidnapped from the streets of Cairo by the Libyan government and is believed to have been held in the regime's most notorious prison. Now, the prisons are empty and little hope remains that Jaballa Matar will be found alive. Yet, as the author writes, hope is "persistent and cunning." Winner of the 2017 Pulitzer Prize for biography/autobiography, the PEN/Jean Stein Book Award, France's Prix du livre étranger, and a finalist for the Orwell Book Prize and the 2016 National Book Critics Circle Award, The Return is a brilliant and affecting portrait of a country and a people on the cusp of immense change, and a disturbing and timeless depiction of the monstrous nature of absolute power.
The Return of the Native offers a look at the role of preconquest peoples such as the Aztecs and the Incas in the imagination of Spanish American elites in the first century after independence.
The Return of the Soldier tells the story of a shell-shocked soldier who returns home from the First World War believing that he is in love with a working-class woman from his past, rather than married to his aristocratic wife. His family and doctor must decide whether to allow him to remain safely in his delusion, or to bring him back to reality and return him to the front. A brief novel with a seemingly simple plot, it is a classic of modernist literature and provides a point of entry into discussions of some of the twentieth century's most enduring themes. Appendices include textual variants, patriotic and antiwar verse from World War I, war journalism by West, contemporary paintings and propaganda posters, and material on shell-shock.
THE STORY: It's 1909 and Herbert Bracewell has retired to the attic of his New York home with plans to stage a comeback in a one-man review of his long, if undistinguished career. He assembles five antique match-lit footlights to mark a playing are
When Michael Herne is asked to play a king in a medieval play he reluctantly agrees. After the play is over, other actors find it impossible to return to their real character. Set in the early 20th Century, this is the intriguing story of the rise of a new Don Quixote who introduces a medieval government into the world of big business.
This is a new edition of Greenfield's pioneering study about the legal, political and historical aspects of cultural restitution.
"The scholars who have contributed to this volume of essays are Jewish and Christian thinkers who, without melding their different religious traditions and scholarly methods, have developed complementary responses to what they believe is wrong with contemporary biblical scholarship in Judaism and Christianity. The purpose of this collection is to draw attention to the similarities among these responses and to the possibility that they may contribute to a family of postcritical methods for interpreting the scriptural traditions." "The postcritical scholars employ current methods of critical, scientific inquiry to clarify the language the historical contexts and the didactic messages of the biblical traditions. They do not, however, find these methods sufficient. They argue that the biblical traditions communicate to their practitioners some rules of action that cannot be deciphered within the terms set by canons of critical reason that emerged in the European Renaissance and Enlightenment. Rather, among the Bible's unique rules of action are the principles for interpreting the traditions themselves." "Postcritical scholars attempt to identify these rules of interpretation producing what editor Peter Ochs has come to term "postcritical Scriptural interpretation." It is neither strictly modern nor premodern. This form of inquiry emerges in the dialogue that is now unfolding between a contemporary family of scholars and their scriptural traditions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved