A Riveting Cold-Case Mystery from Dee Henderson Evie Blackwell loves her life as an Illinois State Police detective . . . mostly. She's very skilled at investigations and has steadily moved up through the ranks. She would like to find Mr. Right, but she has a hard time imagining how marriage could work, considering the demands of her job. Gabriel Thane is a lifetime resident of Carin County and now its sheriff, a job he loves. Gabe is committed to upholding the law and cares deeply for the residents he's sworn to protect. He too would like to find a lifetime companion, a marriage like his parents have. When Evie arrives in Carin, Illinois, it's to help launch a new task force dedicated to reexamining unsolved crimes across the state. Spearheading this trial run, Evie will work with the sheriff's department on a couple of its most troubling missing-persons cases. As she reexamines old evidence to pull out a few tenuous new leads, she unearths a surprising connection . . . possibly to a third cold case. Evie's determined to solve the cases before she leaves Carin County, and Sheriff Thane, along with his family, will be key to those answers.
Today, crime dominates the world's headlines. From serial murders to financial fraud, from wartime atrocities to the international drug trade, it threatens the stability of society as never before. Increasingly governments and police forces are turning to science for aid. Traces of Guilt examines how forensic science can help in the fight against crime and asks how effective and how reliable it really is. Author Hugh Miller takes us from the hi-tech world of digital telephone fraud, where scientists struggle to identify the invisible perpetrators of million-dollar robberies an the information highway to the hills of Guatemala, where forensic archaeologists attempt to discover the hidden secrets of a massacre as they exhume 24 mass graves. Traces of Guilt also takes forensic science to task, raising questions whose implications for criminal Justice systems around the world are profound... where the difference between fact and fiction can mean the difference between life and death.
Nearly every week the headlines of national newspapers shout allegations about the latest credit card fraud, internet paedophile, or major corporations whose computers have been hacked. But what people may not realize is that the nature of computer crime is becoming even more sophisticated. In the same way that all of us use computers increasingly in our business and personal lives, so too are criminals using computers, not just to commit high-tech offences, but to plan, research and co-ordinate a wide variety of crimes. The role computers play in crime, and in particular the detection and prosecution of crime has never been as significant as it is today. In a gripping true-life detective story, ex-hacker and now one of the UK's leading crime experts Neil Barrett guides us into a world where the seemingly innocuous computer screen can provide a window into the mind of even the most hardened criminal. Through some of his own high profile cases, Barrett shows us the cutting edge of modern crime. It is a dimly-lit world where hackers pit their wits, man to man, with the police experts and where the digital detective is the latest and best weapon in the police arsenal.
Figures of the Unconscious, No. 8Sigmund Freud, in his search for the origins of the sense of guilt in individual life and culture, regularly speaks of "reading a dark trace," thus referring to the Oedipus myth as a myth about the problem of human guilt. In Freud's view, this sense of guilt is a trace, a path, that leads deep into the individual's mental state, into childhood memories, and into the prehistory of culture and religion. Herman Westerink follows this trace and analyzes Freud's thought on the sense of guilt as a central issue in his work, from the earliest studies on the moral and "guilty" characters of the hysterics, via later complex differentiations within the concept of the sense of guilt, and finally to Freud's conception of civilization's discontents and Jewish sense of guilt. The sense of guilt is a key issue in Freudian psychoanalysis, not only in relation to other key concepts in psychoanalytic theory but also in relation to Freud's debates with other psychoanalysts, including Carl Jung and Melanie Klein.
Dee Henderson Pens Another Compelling Cold Case Mystery Evie Blackwell's reputation as a top investigator for the Illinois State Police has landed her an appointment to the governor's new Missing Persons Task Force. This elite investigative team is launched with plenty of public fanfare. The governor has made this initiative a high priority, so they will have to produce results--and quickly. Evie and her new partner, David Marshal, are assigned to a pair of unrelated cases in suburban Chicago, and while both involve persons now missing for several years, the cases couldn't be more different. While Evie opens old wounds in a close-knit neighborhood to find a missing college student, David searches for a private investigator working for a high-powered client. With a deep conviction that "justice for all" truly matters, Evie and David are unrelenting in their search for the truth. But Evie must also find answers to the questions that lie just beneath the surface in her personal life.
Guilt is the dark force behind haunting anxiety, obsessive-compulsive behaviour, life meaninglessness, and depression – a force to be kept in check. Yet guilt is equally our richest and most hidden resource, the essence of our humanness, and it drives us on to our highest achievements. Today, when individuals feel bad it is not usually because of something specific they have done. Rather, thundering around in the depths of their being is guilt: obscure, unconscious, yet irrepressible and ever-present. Where does it come from, what are its ways, and how might it be put to useful work? This book explores the nature of guilt, shedding light on how the modern West came increasingly to understand it as ‘the most terrible sickness’. It traces the psychological origins of guilt in each person’s family, and demonstrates the historical rise of guilt in parallel with civilization. It examines the modern predicament: the difficulty of finding explanations for guilt in a secular, post-church society – and the possibility of relief from its curse, while channelling it into a fulfilling life. As such it will appeal to those with interests in sociology, psychology, psychiatry, cultural studies, cultural history, and anthropology.
Dee Henderson Is Back! Ann Silver is a cop's cop. As the Midwest Homicide Investigator, she is called in to help local law enforcement on the worst of cases, looking for answers to murder. Hers is one of the region's most trusted investigative positions. Paul Falcon is the FBI's top murder cop in the Midwest. If the victim carried a federal badge or had a security clearance, odds are good Paul and his team see the case file or work the murder. Their lives intersect when Ann arrives to pass a case off her desk and onto his. A car wreck and a suspicious death offer a lead on a hired shooter he is tracking. Paul isn't expecting to meet someone, the kind that goes on the personal side of the ledger, but Ann Silver has his attention. The better he gets to know her, the more Paul realizes her job barely scratches the surface of who she is. She knows spies and soldiers and U.S. Marshals, and has written books about them. She is friends with the former Vice President. People with good reason to be cautious about who they let into their lives deeply trust her. Paul wonders just what secrets Ann is keeping, until she shows him the John Doe Killer case file, and he starts to realize just who this lady he is falling in love with really is...
Traces and Memories deals with the foundation, mechanisms and scope of slavery-related memorial processes, interrogating how descendants of enslaved populations reconstruct the history of their ancestors when transatlantic slavery is one of the variables of the memorial process. While memory studies mark a shift from concern with historical knowledge of events to that of memory, the book seeks to bridge the memorial representations of historical events with the production and knowledge of those events. The book offers a methodological and epistemological reflection on the challenges that are raised by archival limitations in relation to slavery and how they can be overcome. It covers topics such as the historical and memorial legacy/ies of slavery, the memorialization of slavery, the canonization and patrimonialization of the memory of slavery, the places and conditions of the production of knowledge on slavery and its circulation, the heritage of slavery and the (re)construction of (collective) identity. By offering fresh perspectives on how slavery-related sites of memory have been retrospectively (re)framed or (re)shaped, the book probes the constraints which determine the inscription of this contentious memory in the public sphere. The volume will serve as a valuable resource in the area of slavery, memory, and Atlantic studies.
Why would a political theorist venture into the nexus between neuroscience and film? According to William Connolly -- whose new book is itself an eloquent answer -- the combination exposes the ubiquitous role that technique plays in thinking, ethics, and politics. By taking up recent research in neuroscience to explore the way brain activity is influenced by cultural conditions and stimuli such as film technique, Connolly is able to fashion a new perspective on our attempts to negotiate -- and thrive -- within a deeply pluralized society whose culture and economy continue to quicken. In Neuropolitics Connolly draws upon recent brain/body research to explore the creative potential of thinking, the layered character of culture, the cultivation of ethical sensibilities, and the critical role of technique in all three. He then shows how a series of films -- including Vertigo, Five Easy Pieces, and Citizen Kane -- enhances our appreciation of technique and contests the linear image of time now prevalent in cultural theory. Connolly deftly brings these themes together to support an ethos of deep pluralism within the democratic state and a politics of citizen activism across states. His book is an original and rigorous study that attends to the creative possibilities of thinking in identity, culture, and ethics.
DIV Franz Kafka was the poet of his own disorder. Throughout his life he struggled with a pervasive sense of shame and guilt that left traces in his daily existenceâ€”in his many letters, in his extensive diaries, and especially in his fiction. This stimulating book investigates some of the sources of Kafkaâ€™s personal anguish and its complex reflections in his imaginary world. In his query, Saul FriedlÃ¤nder probes major aspects of Kafkaâ€™s life (family, Judaism, love and sex, writing, illness, and despair) that until now have been skewed by posthumous censorship. Contrary to Kafkaâ€™s dying request that all his papers be burned, Max Brod, Kafkaâ€™s closest friend and literary executor, edited and published the authorâ€™s novels and other works soon after his death in 1924. FriedlÃ¤nder shows that, when reinserted in Kafkaâ€™s letters and diaries, deleted segments lift the mask of â€œsainthoodâ€? frequently attached to the writer and thus restore previously hidden aspects of his individuality. /div