Understanding Reality Television
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📒Understanding Reality Television ✍ Su Holmes
📝Understanding Reality Television Book Synopsis : 'Popular Factual Programming' has rapidly come to occupy a place at the forefront of contemporary television culture on an international scale. Tracing the history of reality TV from Candid Camera to The Osbournes, Understanding Reality Television examines a range of programmes which claim a privileged relation to the 'real', from reality formatted game shows to 'real crime' programming and make-over TV. Contributors discuss the phenonenon of reality TV in the context of the debates it has introduced to our social, cultural and televisual agendas, such as the construction of celebrity, fandom, surveillance and the politics of representation.
📒Real Talk Reality Television And Discourse Analysis In Action ✍ Pilar Garces-Conejos Blitvich
📝Real Talk Reality Television and Discourse Analysis in Action Book Synopsis : This is the first book to examine the discourse of reality television. Chapters provide rigorous case studies of the discourse practices that characterise a wide range of generic and linguistic/cultural contexts, including dating shows in China and Spain, docudramas in Argentina and New Zealand, and talent shows in the UK and USA.
📒Reality Tv ✍ Misha Kavka
📝Reality TV Book Synopsis : Is reality TV a coherent genre? This book addresses this question by examining the characteristics, contexts and breadth of reality TV through a history of its programming trends. Paying attention to stylistic connections as well as key concepts, this study breaks reality television down into three main 'generations': the camcorder generation, the competition generation and the celebrity generation. Beginning with a consideration of the applicability of the term 'genre' for this televisual hybrid, the book takes a transnational approach to investigating the forms and formats of reality TV framed by relevant popular and critical discourses.
📒Reacting To Reality Television ✍ Beverley Skeggs
📝Reacting to Reality Television Book Synopsis : The unremitting explosion of reality television across the schedules has become a sustainable global phenomenon generating considerable popular and political fervour. The zeal with which television executives seize on the easily replicated formats is matched equally by the eagerness of audiences to offer themselves up as television participants for others to watch and criticise. But how do we react to so many people breaking down, fronting up, tearing apart, dominating, empathising, humiliating, and seemingly laying bare their raw emotion for our entertainment? Do we feel sad when others are sad? Or are we relieved by the knowledge that our circumstances might be better? As reality television extends into the experiences of the everyday, it makes dramatic and often shocking the mundane aspects of our intimate relations, inviting us as viewers into a volatile arena of mediated morality. This book addresses the impact of this endless opening out of intimacy as an entertainment trend that erodes the traditional boundaries between spectator and performer demanding new tools for capturing television’s relationships with audiences. Rather than asking how the reality television genre is interpreted as ‘text’ or representation the authors investigate the politics of viewer encounters as interventions, evocations, and more generally mediated social relations. The authors show how different reactions can involve viewers in tournaments of value, as women viewers empathise and struggle to validate their own lives. The authors use these detailed responses to challenge theories of the self, governmentality and ideology. A must read for both students and researchers in audience studies, television studies and media and communication studies.
📒Reality Tv ✍ Annette Hill
📝Reality TV Book Synopsis : Reality TV is popular entertainment. And yet a common way to start a conversation about it is ‘I wouldn’t want anyone to know this but...’ Why do people love and love to hate reality TV? This book explores reality TV in all its forms - from competitive talent shows to reality soaps - examining a range of programmes from the mundane to those that revel in the spectacle of excess. Annette Hill’s research draws on interviews with television producers on the market of reality TV and audience research with over fifteen thousand participants during a fifteen year period. Key themes in the book include the phenomenon of reality TV as a new kind of inter-generic space; the rise of reality entertainment formats and producer intervention; audiences, fans and anti-fans; the spectacle of reality and sports entertainment; and the ways real people and celebrities perform themselves in cross-media content. Reality TV explores how this form of popular entertainment invites audiences to riff on reality, to debate and reject reality claims, making it ideal for students of media and cultural studies seeking a broader understanding of how media connects with trends in society and culture.
📒Reality Tv ✍ Anita Biressi
📝Reality TV Book Synopsis : This book analyses new and hybrid genres of television including observational documentaries, talk shows, game shows, docu-soaps, dramatic reconstructions, law and order programming and 24/7 formats such as Big Brother and Survivor.
📒Television And Criticism ✍ Solange Davin
📝Television and Criticism Book Synopsis : Challenges the traditional boundaries between high and low culture. This volume addresses such topics as the blurring of genres, television and identity, and the sophistication of television audiences by examining examples from soap operas, televised adaptations of classic novels, film noir, and popular shows.
📒A Companion To Reality Television ✍ Laurie Ouellette
📝A Companion to Reality Television Book Synopsis : International in scope and more comprehensive than existingcollections, A Companion to Reality Television presents acomplete guide to the study of reality, factual and nonfictiontelevision entertainment, encompassing a wide range of formats andincorporating cutting-edge work in critical, social and politicaltheory. Original in bringing cutting-edge work in critical, social andpolitical theory into the conversation about reality TV Consolidates the latest, broadest range of scholarship on thepolitics of reality television and its vexed relationship toculture, society, identity, democracy, and “ordinarypeople” in the media Includes primetime reality entertainment as well as precursorssuch as daytime talk shows in the scope of discussion Contributions from a list of international, leading scholars inthis field
📒Genre And Television ✍ Jason Mittell
📝Genre and Television Book Synopsis : Genre and Television proposes a new understanding of television genres as cultural categories, offering a set of in-depth historical and critical examinations to explore five key aspects of television genre: history, industry, audience, text, and genre mixing. Drawing on well-known television programs from Dragnet to The Simpsons, this book provides a new model of genre historiography and illustrates how genres are at work within nearly every facet of television-from policy decisions to production techniques to audience practices. Ultimately, the book argues that through analyzing how television genre operates as a cultural practice, we can better comprehend how television actively shapes our social world.
📒Reality Television Affect And Intimacy ✍ Misha Kavka
📝Reality Television Affect and Intimacy Book Synopsis : Reality Television, Affect and Intimacy shifts current discussions of media and reality from the informative to the affective, from knowledge to feelings. In reality television, Misha Kavka argues, everyday ‘reality’ is the ground for an experience of immediacy, or televisual intimacy, that is self-evidently mediated and performed. The book explores this paradox by conceptualising the relation between affect and media. For Kavka, affect matters because the feelings generated across the screen are real in a material way. Investigating such concepts as publicity and privacy in reality TV families, performance technologies in Big Brother, arranged marriages in romance reality TV, and gender, race and sexuality in Survivor and Project Runway, she argues that affect is the core reality of a public sphere that is reconfigured by its viewing patterns. Renewing attention to the complexities of affective intimacies, this book offers the rich realities of feeling as a critical alternative to traditional communication models.