Anne Aly, Liz Byrski, Sarah Drummond, Mehreen Faruqi, Goldie Goldbloom, Krissy Kneen, Jeanine Leane, Brigid Lowry and Pat Torres are among fifteen voices recounting what it is like to be a woman on the other side of 40. These are stories of identity and survival, and a celebration of getting older and wiser, and becoming more certain of who you are and where you want to be.
Just how long do you plan on defying the laws of gravity? Responding to overwhelming demand, the Cambridge Women's Pornography Cooperative has researched deeply into the desires of women of a certain age. The result: forty steamy scenarios show hunky yet distinguished men catering to every whim. These handsome hotties insist she take an early retirement, delight in the silver in her hair, and best of all, take over the cooking and cleaning. Mrrow! Scientifically proven to make women swoon, Porn for Women of a Certain Age will leave the ladies begging for more.
Women of a certain age takes place in the course of a single night, eight months after we first meet the Gabriels. Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.
DescriptionIs a diary of the daily life of Fatma Durmush. Fatma Durmush who is fast approaching her fifties has just finished her studies and is talking about the daily routines which schizophrenia and illness has imposed on her. For example due to the injections she became seriously ill but it is not all doom and gloom there is the family and how she is seeing her nephews and niece grow up. From the daily life we see a picture of the schizophrenic and how working on the MA is a cure which is official for when Durmush went on a talk about schizophrenia the speaker in Hackney College said that all schizophrenics should be in a football team concentrating or on a job which is challenging. Durmush's writing is instinctive and she protrays herself as the victim of the Voice but the diarist is there alive to all of the sides the Victim is no longer the most obvious and being an MA has sharpen her. About the AuthorFatma Durmush has had schizophrenia for thirty odd years and after living with that amount of mental health problems she when she reached forty decided she would begin studying in good earnest. So she did an GNVQ and then foundation in art and then a degree and this year she has finished her MA in fine art. When her father became seriously ill she had to make a choice was it to be giving up the BA or doing the BA? In the end her father decided for her and he was gone but Fatma always said it was a thing that she could not decide for she loved them both.
This is a book that champions older women’s stories and challenges the limiting outcomes we seem to hold for them. The Book of Old Ladies introduces readers to thirty stories featuring fictional “women of a certain age” who increasingly become their truest selves. Their stories will entertain and provide insight into the stories we tell ourselves about the limits and opportunities of aging. A celebration of women who push back against the limiting stereotypes regarding older women’s possibility, The Book of Old Ladies is a book lover’s guide to approaching old age and dealing with its losses while still embracing beauty, creativity, connection, and wonder.
Anne Aly, Liz Byrski, Sarah Drummond, Mehreen Faruqi, Goldie Goldbloom, Krissy Kneen, Jeanine Leane, Brigid Lowry and Pat Mamanyjun Torres are among fifteen voices recounting what it is like to be a woman on the other side of 40. These are stories of identity and survival, and a celebration of getting older and wiser, and becoming more certain of who you are and where you want to be.
The beloved New York Times columnist "inspires women to embrace aging and look at it with a new sense of hope" in this lively, fascinating, eye-opening look at women and aging in America (Parade Magazine). "You're not getting older, you're getting better," or so promised the famous 1970's ad -- for women's hair dye. Americans have always had a complicated relationship with aging: embrace it, deny it, defer it -- and women have been on the front lines of the battle, willingly or not. In her lively social history of American women and aging, acclaimed New York Times columnist Gail Collins illustrates the ways in which age is an arbitrary concept that has swung back and forth over the centuries. From Plymouth Rock (when a woman was considered marriageable if "civil and under fifty years of age"), to a few generations later, when they were quietly retired to elderdom once they had passed the optimum age for reproduction, to recent decades when freedom from striving in the workplace and caretaking at home is often celebrated, to the first female nominee for president, American attitudes towards age have been a moving target. Gail Collins gives women reason to expect the best of their golden years.
This timely book assembles a chorus of sophisticated, edgy, and humorous voices on the topic of being unmarried in one’s prime. Far from being out to pasture, these writers zestily take on the challenges and enjoy the rewards of growing older as a single woman: sex (or not), occasional loneliness, single motherhood, second careers, menopause, critter comforts, and more. Joyce Maynard (“fifteen years divorced and pushing fifty with a short stick”) tries online dating, Kathi Kamen Goldmark embraces her newly empty nest, Susan Griffin savors the joys of solo travel, Wendy Merrill dumps a younger lover to save her self-esteem, Diane Mapes prefers the joys of aunthood over motherhood, Ms. Gonick dates a sexy (if uneducated) cowboy, and Rachel Toor finally finds the perfect companion — and he has four legs.